deadcatwithaflamethrower:

smallcatalysts:

paperandinklings:

Depiction of a daughter coming out to her mother, choreographed in Bharatanatyam

The story starts by showing a close, affectionate bond between the Mother and her Daughter when the Mother says that she wants her Daughter to get married soon to a worthy boy. At this point the Daughter finally comes out and tells her Mother the truth about herself. The rest is a constant fight between the two until they reach peace and understanding. At the end, the Mother finally accepts her Daughter as well as her significant other.

Choreographed and performed by:
Aarthy Sundaresan
Swathi Jaisankar

Special Appearance:
Krishnapriya

Music by:
Akash Gururaja (violin)
Mrinmoyee Kalasikam (cello)
Vivek Ramanan (mridangam)

@parlegee

Did I reblog this? Don’t care, doing it again.

thechanelmuse:

“Ballet embraces the soft, ethereal and majestic side to women, and yet we often don’t see the media portray black women in this light. My project aims to reveal that women of color possess these qualities. We too are capable of portraying the princess, fairy and swan.”

 —Aesha Ash

Aesha Ash’s prestigious career has included world class roles. Yet she’s now on to a different mission, with three big goals. She wishes to see ballet become more diverse. She hopes to inspire youth from rough areas to pursue their dreams. And she wants to show the world that tough environments can’t hold back talented people, especially those with ambition.

Aesha performed professionally for 13 years. She attended the legendary School of American Ballet; joined the New York City Ballet at age 18; and has danced solo and principal roles for companies like the Béjart Ballet in Lausanne, Switzerland, and the Alonzo King Lines Ballet in San Francisco. Now she’s focused on The Swan Dreams Project, in which she uses imagery to tackle stereotypes placed on black women. Aesha commissions photographers to snap her as a ballerina in her hometown of rugged Rochester, New York, and in Richmond, California, and then donates proceeds from photo sales to organizations helping advance inner city youth. She also donates images to organizations for their fundraisers and to people seeking more positive imagery for their children or groups.

The dancer points out that black women have always existed in ballet, yet few become principals, the highest tier of dancers. When Misty Copeland became the first black female principal with the prestigious American Ballet Theatre last summer, Aesha found the milestone a moment to celebrate, yet sad and troubling that in 2016, we’re still celebrating a first. She hopes The Swan Dreams project will give more dancers — and youths in general — the chance to be celebrated for their own talents.

Rochester has one of America’s highest crime rates. But Aesha hits the streets to prove that her hometown is more than violence and gangs. That’s where her Swan Dreams Project comes in. “My community saw that out of our environment came a ballerina, not just negativity — a little black girl from inner city Rochester actually went on to become a professional ballet dancer in a top-tiered company,” Aesha said in a one-on-one interview for this report. “Youth followed me on the street saying, ‘This is what we need. This lifts us up.’”

Read more

beautysonfire:

“Inspired by Bollywood movie Mughal-e-Azam’s Jab Pyar Kiya to Darna Kya set, Sanjay Leela Bhansali recreated that Aaina Mahal for Bajirao Mastani to also recreate that magic back again. More than 20,000 mirrors were used to make that palace an Aaina Mahal.

There is one angel that reflects in all 20,000 mirrors which makes a jaw-dropping view. After Mughal-e-Azam, this Aaina Mahal holds place of the most expensive set in history till date. There is one shot in Deewani Mastani where Deepika Padukone is highlighted into all those mirrors.”

//www.instagram.com/embed.js

narwhal-noir:

lucyvallely:

Do you remember the 21st night of September?

theyre so good holy shit

the nuances in the movement

the two dancers who are in the center

they have no inhibitions

they have no problems in life

what is this

why is this the happiest video i have ever seen?

freshprincemomma:

sassy-hook:

pleasant-trees:

aprilsvigil:

manticoreimaginary:

Watching this (and fearing broken ankles with each loop) I can’t helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.

But no, if you watch closely you’ll see she doesn’t even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. I’d be pissing myself and fearing a broken neck if I were in her place. Kudos to her. 

I can’t stop watching this. 

Whoa.