“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we – i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless – of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”
tbh nothing is weirder to me than manly grimdark dudebro lord of the rings bc it’s just??? the epitome of light and love to me???? no narrative embodies hope and gentleness and healing like lotr does why must you insist on talking to me about badass aragorn vs. useless frodo. that’s not the point brad
I feel like this is also why so many of the post-LOTR Tolkien ripoffs are so terrible! It’s people pulling from Tolkien when they fundamentally don’t understand what makes Tolkien work. You get all these stories written by people who don’t think Frodo was worthy of his plotline and so they give it to their Aragorn expy instead, and it’s dull and boring and totally lacks the themes and the heart that make LOTR an important, enduring story.
In fairy tales and fantasy, two types of people go in towers: princesses and wizards.
Princesses are placed there against their will or with the intention of ‘keeping them safe.’
This is very different from wizards, who seek out towers to hone their sorcery in solitude.
I would like a story where a princess is placed in an abandoned tower that used to belong to a wizard, and so she spends long years learning the craft of wizardry from the scraps left behind and becomes the most powerful magic wielder the world has seen in centuries, busts out of the tower and wreaks glorious, bloody vengeance on the fools that imprisoned her.
That would be my kind of story.
When
Princess Talia was fourteen, her eldest sister was placed in a tower.
Princess
Adina was eighteen by then, and so of a marriageable age. She had grown quite
beautiful, though she was more willful than winsome, and she did not care for
the notion of the tower very much at all. Their mother did her best to persuade
her on the subject. After all, the queen herself had been eighteen when her own
parents had sent her to live in that very same tower, to be safely tucked away
until her husband could be chosen, and then ride out to claim her. A tradition
going back ages and ages.
“It was
such a sight,” their mother said, wistfully. “I had been alone for so
long. Reflecting upon the nature of the world, and my place in it, and what it
would mean to serve my kingdom. And the solitude was difficult. But then one
bright morning I saw a vision of a gallant knight riding towards me; and I knew
I would never feel lonely again.”
“Then
you had best make certain you pick a strong man to be my husband,” Princess
Adina had replied. “For if I go to that tower you can bet I will spend my
time honing my skills with a blade, rather than staring wistfully out of
windows. And any man who thinks to claim me for a bride by anyone’s leave save
my own will need to defend himself.”
Their
mother had tutted, and their father had rolled his eyes; and when Princess Adina’s
belongings were packed with a very pointed dearth of swords or spears or
knives, it was Talia who slipped a wrapped sabre into the travel wagons, and it
was their middle sister, Devorah, who tied another to the underside of the
first food cart to leave for the tower.
Barely
a few weeks had passed since Adina left the castle, however, before word began
to spread of dragon sightings in the south. The king and queen, of course, saw
this is a good sign; and they let it be known that any lord bold enough to slay
the dragon would be granted leave to rescue Princess Adina from her tower. It
seemed all too fortuitous, for surely any man who could defeat a dragon could
handle a willful princess; and Adina could hardly deny
the bravery or skill of any such person.
“It is
perfect,” their mother had said.
That
was before the dragon reached the tower.
Talia
had been present when the messenger had arrived, bursting hastily into the
hall, and speaking in broken tones about barricades destroyed, and mountains
crossed, and ancient enchantments broken as the dragon had forged its way
straight to the hidden princess. Rumours abounded of the dragon absconding with
Adina; though some varied as to whether she had been seen clutched, terrified,
in the menace’s claws, or riding on its back, whooping loudly. (Calling for
help, the court agreed – if anything; the confused descriptions of startled
shepherds were unlikely to be too reliable, under the circumstances, of
course).
The
matter of rewards changed, of course, and so it became that any brave soul –
lord or no – who could rescue Adina from the dragon could claim the princess
for their bride. Talia worried, but she didn’t worry too much. She was of a
mind that if the dragon was still alive, then it was likely because Adina
wanted it that way; and her sister was, at least, out of the tower she had held
such contempt for.
Not six
months after the incident, a story came back, too, of a renowned hero who had
nearly slain the dragon at its caves in the west; only to be disarmed by
Princess Adina herself, who, by his report, made a very rude and anatomically
improbable suggestion, before knocking him down a mountainside.
The
king and queen seemed convinced the report was nothing but slander; but Talia
was inclined to give it far more credence than tales of her sister weeping
whole rivers of tears or cowering beneath the dragon’s glare.
It was
around that time that Princess Devorah began sneaking out of the palace at
night.
Talia
discovered this one evening while in the midst of her stargazing. If her eldest
sister could be said to be beautiful and headstrong, then it would be easy to
claim that the middle sister was plainer, and yet more charming. She owned a
pale blue cloak, that suited her quite well; but that stood out, too, in the
moonlight, as she slipped away through the palace gardens.
This
went on for quite some time before Talia at last confronted her sister, who
blushed most tellingly at being discovered.
“I have
found my knight,” she admitted. “There is a doorway in the gardens, and it
opens to the fairy forest. I did not mean to go, the first night. It was only
that I saw the doorway, and I wondered where it went. And I could not help but
think that my own time to be locked away in a tower is coming swiftly, and what
a thing it might be to escape, and that perhaps fate had given me a chance. But
then I got lost in the fairy forest. It was strange and dangerous, and I feared
I had been too foolish for words, until my knight found me.”
Talia
saw the lovestruck look on her sister’s face, and felt a great well of sympathy
for her.
“Fairy
folk are strange and dangerous, but Mother and Father are not without pity. If
your knight is as noble as he sounds, perhaps they will understand,” she suggested.
But
Devorah only sighed, and shook her head.
“Perhaps
they would, if my knight were a man. But she is a maiden, as fair as moonlight.
And I would have her no other way.”
Talia’s
sympathy increased tenfold, at that, for she knew as well that their parents
might make some concessions, but that would be a bridge too far for either of
them. As she began to offer comfort, however, Devorah turned it back towards
her.
Her
sister told her, then, of the plan she and her fairy knight had concocted; that
when Devorah was taken to her tower, her knight would come, and open a door
there; and then Talia’s sister would away with her to the fairy realm for good.
The tower would sit empty. The suitor their parents at last settled upon would
ride out to find no one waiting for him.
“I
planned to tell you,” Devorah assured her, and then offered her a single silver
bell. “When it is your time to go to the tower, stand on the highest point
and ring that bell. A door will open, and you can come away with us. The fairy
realm can be frightening, but my beloved will help us, and as well-read as you
are, I am certain you will have more of an idea of what to expect than I ever
did.”
Talia took
the bell, and hugged her sister, and thanked her; though she admitted that she
did not know what she would feel, when it came her own time to go to the tower.
But Devorah only said it would be her choice, whichever she made.
And
indeed, after a year had passed, her sister went to the tower with none of the
fuss nor complaint that Princess Adina had put up. Being as charming as she
was, there were no lack of suitors for their parents to choose from; and it was
not long at all before the king and queen made an advantageous match with the
eldest son of a neighbouring kingdom, just beyond the western mountains where Adina
and her dragon still roamed.
When
the son came back empty-handed, accusations of trickery abounded. The western
kingdom accused the king and queen of withholding their daughter; and the king
and queen accused the western kingdom of stealing her to some unknown fate. In
the end matters were only settled once a scryer confirmed that Princess Devorah
had not been in the tower when her suitor arrived; and then, the dispute was
settled with the consolation offer of Talia in Devorah’s place.
The
rulers of the western kingdom demanded their princess at once; but Talia’s
parents insisted that she was still too young. A compromise was reached. Since
the tradition of the family was to ensconce their princesses in towers, and
since twice these towers had been breached and the princesses lost, the king of
the western lands offered a tower in his own domain. There Talia would stay
until she turned eighteen, and was of age to marry the prince.
Even
so, the king and queen would not have agreed, but for the fact that the western
rulers were renowned for their masterful sorcery and spellwork. Should conflict
break out, the armies they could amass would be formidable indeed.
“Sometimes
princesses must think of their kingdoms first,” Talia’s mother told her.
And so
Talia did think of her kingdom.
She
thought of it as she rode with her accompaniment through the mountains, and
when a great dragon’s roar split the air; and when her guards scattered in
fright, or else were pinned down by the claws of a great, emerald beast, with
eyes like flames and wings that sounded of lightning when they clapped. She
thought of it when her eldest sister slid down from the dragon’s neck, and
rushed to hold her, and begged her not to be afraid.
“You
come with us,” said Princess Adina. “The western prince is a monster, and
the rest of his family no better. I would not let a pig marry him, nevermind my
little sister.”
Talia
marvelled at how well-informed her dragon-riding sister seemed to be, but Adina
only waved off such questions.
“I go
into town all the time,” she said. “No expects to see a princess who was
kidnapped by a dragon wandering around a market square.”
“And
you spend enough of my coin for them to overlook it, even if they were
suspicious,” rumbled the dragon, though it sounded more amused than anything
else.
“You
are the one who demanded expensive company,” Adina returned.
Talia
watched them with fascination, and wondered if they might not be able to fight
an army themselves. But her sister was forced to sadly admit that her dragon
was nearly more show than substance, and that any well-armed force would take
them down with relative ease. Particularly when they could bring magic to bear.
And so
Talia thought of her kingdom, as she declined her sister’s offer, and sadly
sent both she and her dragon on their way. Then she set about encouraging her
guards to come back, and help gather the horses, so they could head out again.
She
thought of her kingdom all the way up to the tower itself. It was a bleak
spire. Once a sorcerer’s lookout and secluded place of study, according to
their guide; who then helped set up the wards and enchantments. Talia thought
of her kingdom as she bid everyone goodbye. As she made her way inside with her
things, and found that though the place had clearly been cleaned and dusted, it
was sparse and severe and cold. Dark stone twisted up the walls, and drafts
blew through the ragged edges of the window frames. The lights were magic, at
least, but only half of them worked, and there was little in the way of artwork
or decoration.
Talia
thought of her kingdom as she selected a room on the highest floor, and
unpacked her things.
But
when at last it was dark, and she was alone, she did not think of her kingdom.
She thought of herself, instead, and she wished she had flown away with Adina
and her dragon. She wished she could climb to the top of the tower, and ring
her silver bell, and escape with Devorah and her knight. She thought of the
unfairness of being sent to her tower too soon, and even vindictively imagined
having told her parents of Devorah’s escapades, and being spared this fate by
forcing her sister to do her duty instead.
And
then she felt an awful wretch, for thinking such a thing; and she cried herself
ragged until she fell into a deep sleep.
In the
morning, her mood was grim.
She
woke to the discovery that the usual enchantments were in place, which was
something of a relief. Princess Talia was educated in matters of diplomacy,
finance, tactics, mathematics, literature, history, geography, and many more
besides, but she had no idea of how to boil an egg. The tower gave her meals in
the kitchens, and warmed the hearth against the cold; and she spent her first
day mostly in that room, with one of the books she’d brought clutched firmly in
her hand, wondering how she was supposed to survive years of this without
going mad.
Or if,
perhaps, the intent of all this business with towers was precisely to drive a
princess mad. It would explain a good deal about her mother.
The
second night, she cried again, and the one after was much the same; but on the
fourth day, she woke to the grey dawn, and the cawing of ravens outside her
window; and she decided that if she was going to live in this tower for many
days yet to come, then she may as well explore it. She made a point of mapping
out all the floors, and figuring out how to reach the highest part, if it ever
came to it. And she found that the attic was full of old boxes of clothes.
Robes and hats and gloves and scarves, worn things and shimmery things, and a
very impressive collection of walking sticks.
That
was all well and good, and sorting through it gave her a diversion, at least.
She aired out some of the clothes. They were much too big for her, of course,
and the tower wardrobe could provide her with some very nice dresses. But she
imagined she might tire of very nice dresses, after a while, and some of the
robes looked very comfortable.
The
real find, however, came the next day, when she discovered the door to the
basement.
She had
thought that the spareness of the tower was owed to its lack of usual
occupancy; but when she found the basement, another answer made itself clear –
someone had taken practically everything out of the main rooms, and shoved it
all haphazardly into the basement, and closed the door on it.
Talia
supposed she could see, on one level, why someone might have deemed the objects
in the basement unsuitable for a princess. Though she could not fathom why they
assumed a bored princess would not simply go downstairs at some point. She felt
inexplicably insulted at the lack of locks on the door; though this feeling
swiftly gave way to curiosity, instead.
The
rooms contents had not been kindly handled. She tsk’d over books that had been
dumped in piles, their pages crinkled and their spines twisted. Some heavy
tomes on stands had been left to accumulate dust and cobwebs, and boxes full of
glass bottles had been ungently handled, leaving some to crack and leak
suspicious liquids that stained the floor. Several rune-marked skulls lined a
shelf in the room, and looked to be the only things that had not been touched
much. There was strange furniture, and jars of things like powdered unicorn’s horn, which
told her plenty about the ignorance of the people who had cleaned up this
place, because even she knew that was valuable stuff.
At
length, she rolled up her sleeves, and set about organizing it, just as she had
done the attic. Though, in this case, the task was much larger. She broke down
into its simplest steps. Step One – the books. Going through the mess, she
picked out all the books she could find, and did what she could for them. Some
were in languages she did not recognize. Even the ones she recognized had
uncommon titles, like A
Beginner’s Guide to Necromancy, and The
Lost Art of Summoning, and A Comprehensive Bestiary of the
Northern Wilds.
The
books proved not only to be the first step in cleaning up the basement, but
also the world’s most sufficient distraction. Talia found herself paging
through them out of sheer fascination with the volume of subjects available,
and the fact that she knew next to nothing of these topics. Soon enough she had
gathered up every book for beginners she could find, and before long she
discovered that one of the largest tomes was a dictionary, and she unearthed
also a translation guide for one of the unfamiliar languages that seemed common
to the texts.
It was,
then, slower going for the tasks of dealing with the broken bottles in the
crates – in the end she found a pair of thick gloves in the attic, and picked
out the ones that were not broken, and shoved the rest – crates and all – into
one of the empty closets.
After a
reading a bit more, she then barricaded the closet.
She
left the skulls be until she opened up the book on Necromancy, and then she
carried them up to a room where the moonlight could hit them. That evening she
had her first proper conversation inweeks as she took a chair into
the room, and waited for nightfall, and then spoke to some quite interesting
and helpful spirits. They were transparent of course, and not all of them were
very coherent. But they seemed happy to be out of the basement, and keen enough
to help her get a better understanding of some concepts from the books that had
been tricky for her.
She
organized the jars of ingredients, and discovered several discarded cauldrons,
and after some more reading, she went back up to the attic and fetched down the
wizard staffs that she had taken for walking sticks, and put them where they’d
be closer to hand. In a box under an overturned table she discovered a smashed
crystal ball, with a tiny pixie’s skeleton in it; and an unbroken crystal ball
which gleamed and glowed only faintly when she held it up to the stars.
It made
her think of Devorah and her knight. So that evening she did at last go up to
the highest point of her tower, and ring her silver bell.
Sure
enough, a door appeared in the basement. She wrapped the pixie skeleton in a
piece of black velvet, and tucked the crystal ball under her arm, and opened
the door.
Her
sister was delighted to see her, though confused as well. It was too soon for
Talia to be in her tower. So it was that Talia had to explain what had
transpired, and when she did, Devorah was overcome. It made her feel triply
awful for her uncharitable thoughts that first evening, to see her sister cry
and offer to go back and take her place.
“You
have to stay here with your knight,” Talia insisted. “It isn’t all bad.
There are some interesting things in the tower. And if I can talk to you
sometimes, as well as the skulls, I probably won’t go mad.”
Devorah
blinked back her tears.
“The
skulls?” she asked, in a voice that said she was worried her sister’s mental
state had already faltered.
So then
Talia found herself explaining about the tower, and its basement, and the
crystal ball she had brought, and the little skeleton, too. That made Devorah
cry a bit more, because she was a kind heart, and she had grown fond of the
little pixies in the fairy realm – even the vicious ones. She called for her
knight to come, then, and Talia watched as a silvery figure rode up on a white
horse that looked more like a ghost than a proper steed, however solid it may
have been to the eye.
Devorah’s
love looked like moonlight made flesh; slender but sharp as the blade of a
knife, and she bowed with courtly grace. She showed less grief over the pixies
than the princesses did. But then, her expression seemed to reveal very little
at all, until it turned to Devorah. At which point it would soften, and stars
would seem to dance in the dark pools of her eyes.
“Who is
this prince, who is so perilous a betrothal?” the fairy knight asked.
“I do
not know him. I know only his reputation, which had seemed fine enough, until Adina
spoke to me,” Talia explained.
“I know
a little more of him,” Devorah admitted, frowning. “Adina and I went to
one of his sister’s weddings, years ago. You were too young to come along. He
was a horrible brat, but then, he was a child. His father wasn’t much better,
though.”
The
fairy knight looked at the tiny pixie skeletons, and then at once broke the
crystal ball. The wisp of a sprite which escaped was small and quick, barely
there before it was gone again. But Talia didn’t mourn the loss of the crystal
ball. And after a moment, her sister’s knight tilted her head towards her, and
went and drew a small vial from her saddlebags.
“This
is a poison of sleep,” said the knight. “If you drink of it, you will fall
into a trance, and will not wake but for true love’s kiss. In dreams you may
find freedom. I would have offered it to Devorah, had she refused me, and her
suitor proven cruel. I will offer it to you, now. Should the worst come to
pass, drink it.”
The
tiny vial was silver and elegant. Pretty enough, even by the reckoning of
princesses. Talia took it, with gratitude. And when she left through the fairy
door before dawn, and came back into her tower, she felt lighter than she had
since leaving home.
For
several months, then, the little silver vial rested in her pockets, as she wore
dresses but also sometimes robes. Talia learned the few benefits of a life
primarily alone, in an empty and unoccupied tower that was locked up tight –
though even her mostly-indoor spirit began to long for the feeling of wind in
her hair, and grass between her toes, she could also parade around the rooms
naked as she pleased. Or clad only in a long robe which railed behind her, as
she sang songs with no one to care that they might be off-key, or that they
were ones she had overheard drunken servants singing.
She
poured through her new books and consulted with spirits, cavorted with her
sister and the fairies by night, and one morning she woke up and snapped her
fingers in a moment of grand epiphany; and flames darted up at the gesture.
And
alone, in the long and quiet days, she learned.
Four
months into her stay, Talia discovered how to unlock the tower door. It was a
simple spell, in fact. More a matter of tricking the tower into doing as she
wished. She strolled the grounds, well away from any guard posts, and found
wild vines and strange plants growing in the tower gardens. There was a book of
plants inside, and so she dragged it out with her the next day, and set about
identifying all the growing things she could not recognize; which, apart from
the dandelions, was nearly everything.
She
dusted off the cauldron, then, and must have burned herself sixteen different
times in attempting to master the various magical recipes involving the garden
plants. And plants from the fairy realm, as well. In one of the big, heavy
tomes, which always seemed to fight her every time she turned the pages, she
discovered a recipe for the sleeping draught which Devorah’s fairy knight had
given her; and by the gleam of a full moon, she gathered ingredients from both
worlds, and set about trying to recreate it.
Success
was difficult to gauge without tasting the end results, though. She was very
sure to label her own attempts accordingly, and dared not drink any of them.
It was
not a bad life. Not at all. It was lonely, at times, but with Devorah and the
spirits, not terribly so. And the freedoms she found were beginning to seem
more and more appealing. As time went on, Talia found herself thinking she
would much rather stay in her tower than see any shining prince approach from
the horizon.
But
when at last he came, she was ready for him.
The
time almost snuck up on her, but the terrain visible up from the tower window
was wide and barren, and one night as she went to bed she chanced to see a
campfire burning. And she counted the days in her head, and then fell into a
flurry of activity. She readied a fine dress, and packed up her things. She
slipped the best staff in amongst her chest of clothes, and packed the skulls
in with her jewellery. She slipped the sleeping potion into her pocket, and
emptied out the bottom of the crate containing her shoes and slippers; and she
did away with half of them, and fit as many of the most important books she
could manage in their place. She hid potions ingredients in among her make up,
and her own notes were kept safely in her diary. And every spare nook or cranny
she could find, she stuffed something she deemed worthy; until the things she
had first arrived with had become like a veil for the things she had uncovered
since.
“You
find yourself in that tower,” her mother had once told her.
And her
mother had found her place as queen; and Adina had found a dragon; and Devorah
had found her doorway out. As the sound of hoofbeats grew closer, Talia stared
towards the horizon of the western kingdom. Her fingers toyed with the stopper
of the sleeping draught.
She
wondered what she had really found.
Why
drink it yourself? one of the spirits had asked her, the first night she had
come back from visiting her sister, with the tiny vial in hand. It seems to me that the logical
thing to do, in an unhappy marriage, is poison the other person. Especially
when that opens a door to you taking his kingdom out from under him.
Such
interesting things, her skulls had to say.
And of
course, the kingdom she would marry into was one ruled by magic. Sometimes
princesses must think of their kingdoms first.
With a
wry little twist of her lips, Talia practised her best expression of swooning
relief, and waited for her prince.
When I was a child I was afraid of the moon. I used to think that the sky was a giant raven and the moon changing phases was its slowly blinking eye, watching me.
Draw the giant space raven.
This one gave me a lot of inspiration.
SKY RAVEN!! HECK YEAH!! Favorite bird and an awesome concept? Heck yeah. Awesome art? Double heck yeah!! Thank you so much for sharing this with the rest of us! I love it so much!
@absoluteradman If this is not an idea for a short story, I don’t know what is
Corvids collect treasures. Shiny things, pretty things, precious things. And what could be more precious than life?
Life which learns.
Life which grows.
Life which builds.
Life needs to be coddled at first, of course. Giant space birds don’t just pop out of the vacuum, ready to take wing on the stellar winds and soar through the universe. Life needs time, and air, and a shield from solar radiation- life needs a planet. And a planet doesn’t produce a race of giant vacuum defying corvids in a millennium.
So the Raven settled in to wait. And wait a long time, it did. It didn’t mind. The Raven had always been a patient bird, a watchful bird. It stared down upon the planet, slowly blinking, always watching.
The Raven watched as the planet was settled by its ken. They moved from treetop to treetop, forest to forest, spanning all across the world. The Raven watched as the corvids learned cognizance, understanding, and communication. The Raven watched as the other animals settled into their usual roles.
But then The Raven saw something strange.
The direwolves and the direbears were not hunting their prey, the humans, as well as they should have been. And the humans were changing- they began to make their nests in places they normally wouldn’t. They began to construct farms, and villages, and towns, and cities! And the corvids, intelligent as they were, watched the humans develop and build and create- and settled into a role as scavengers!
The Raven was perplexed! The strangest chain of events unfolded as the humans began to dominate the world. They spread and spread, growing and growing, conquering and settling the world as if they were the corvids, and the corvids were left in the dust!
The Raven was confused, and concerned. Perhaps it should do something to right this scenario. Perhaps it should reach down and correct this mistake. But then, perhaps not? Mayhap the direwolves and direbears would rise up and strike down the humans after a while. Mayhap the corvids would rise up in the humans wake and take their place at the top of the food chain.
And yet, as The Raven watched, this seemed less and less likely. And then in the blink of an eye, the predators were gone. The direwolves were hunted to extinction, the direbears driven to the poles, and the lesser wolves domesticated! Domesticated by the humans, of all things!
The Raven felt outrage, disgust, and disappointment. With a sigh and a caw, it spread its wings to catch the wind and float away, in search of some new treasure, some new planet.
And then it saw.
The Raven blinked. It paused, midflight, to be certain. And there it was. A point, no smaller than a pin-prick, of light.
Real, genuine light. Not from the stars, but from the planet itself. From the humans.
They had discovered electricity.
The Raven watched, perplexed and amazed, as the planet spun. When a part of the planet drifted from the light to the dark, the lights would come on. And when that part faced the sun again, the lights would go back out.
The Raven folded its wings. It let the flow of gravity take it, spinning around the planet, always watching, slowly blinking. And as it spun, the world began to glow. The planet, when darkened, would shine. The humans made it shine.
The Raven let out a joyous cry! What greater treasure could there be than life which was shiny? And with contentment, The Raven still floats, watching us. And though we are not corvids, we are still precious.
A movie where a mostly average dude accidentally stumbles across a valuable magical artifact, which is a key piece of contention in a war between the forces of good and evil. The forces of evil attack his home, and the confused man is nearly killed, but is rescued from certain death by a mysterious, beautiful young woman.
The young woman takes him to a secret hideout, where her father, a wise old wizard, has been secreting away key weapons and artifacts so that the forces of darkness cannot destroy them. The young woman proceeds to get into an argument with her father. Legends tell of a champion of the light, who is destined to rise up and use the tools that they have been hiding to defeat the darkness. The young woman has been training with most of these tools for all of her life, and now, as they have obtained the last artifact, she feels it is imperative that they act. The darkness will come for them. They cannot simply wait for that to happen.
But the wise old wizard rebukes her. She is arrogant to think that she is the legendary champion. Destiny often works in more subtle ways, and destiny has brought to them another option: the random dude she just rescued.
Disgusted, the daughter storms off. The random dude moves to go after her, but the old wizard stops him. His daughter is headstrong, and she is passionate. She wishes to fight, but she must learn patience, and appreciation for other paths in life. The old wizard has had more time to appreciate the paths of fate. The random dude has much potential – though of course, he doubts it and refutes it, baffled but unable to leave for fear of being tracked down by the forces of darkness again.
The next day, the old wizard announces that it is time to begin his training.
The random dude goes through precisely one day of gruelling magical/physical tutelage, and then books it to where the daughter is still brooding by a waterfall. Last night he saw this chick suplex a motorcycle and summon up a wall of fire with her bare hands. Dude is not an idiot. He is not going to match the skills of someone who has spent a lifetime training at this stuff, no matter how sexist her father is. He makes a suggestion – he’ll distract the old man with training montages, while the daughter takes all the mystical artifacts and goes to defeat the forces of darkness. It’s the perfect plan! Even if the forces of darkness are still after them, and they come here, then he and the old wizard can serve as a red herring. Meanwhile, the daughter can do whatever she thinks she needs to do to defeat them!
For about five minutes the daughter waffles, because maybe that is arrogant, to think that she is a legendary hero. She’s been living her whole life with the Wizard of Undermining Women’s Contributions, after all.
But the random really is a good dude, so rather than deciding he must have a Destiny, or explaining that her father is probably just trying to protect her, or asking him to help learn instead, he clasps her shoulder and looks her in the eye and is just like:
“You flip-kicked a truck. Normal people can’t do that. So I’m thinking you deserve the benefit of the doubt.”
The daughter concedes his point. After all, she saw him struggling to carry those two buckets up the hidden mountain, and her dad’s not even making him try to do it with his mind yet.
They go through with the plan. The daughter steals all the artifacts/weapons and then has another ‘fight’ with her father, which prompts him to seal all the locks on the already-empty treasure room. Announcing her intention to go sulk, she then takes the mystical items of destiny and fucks off on an epic quest to defeat the forces of darkness.
Occasionally we cut back to the random dude still training with the old wizard. This is the comic relief portion of the film, featuring various hijinks as the dude tries to keep the wizard from discovering that all the mystical artifacts are gone and that his daughter isn’t still just hanging out by the waterfall or in her room or something. Occasionally the wizard wants to find her to help with the training or because ‘nothing motivates a man like a beautiful woman’, and the dude just has to keep dodging it.
Meanwhile the daughter gets the action hero plotline, recruiting new allies and engaging in dangerous, pitted battles across various harrowing landscapes. She bonds with a love interest and wrestles with the temptation to join the forces of darkness, but ultimately finds her great internal reason to fight, beyond the burning desire to prove herself or meet impossible standards.
Of course, for the dramatic climax the forces of darkness attack the hidden sanctuary where her father and dude are. The daughter and her allies rush to defend the place, as the old wizard tells random dude to take his daughter and flee, while he holds off the forces of darkness. Random dude finally explains, however, that the old wizard’s daughter has been gone this entire time. And rather than dying in a spectacular last-stand, the old wizard is stumped as his newest pupil helps hold off the attacking forces long enough for the fully-equipped and supplied champions of light, led by the daughter, to arrive and defeat the armies of darkness before the sacred sanctuary is overtaken and destroyed.
Afterwards, the old wizard is shocked at first. But then he nods sagely to himself. Of course, the random dude was the hero after all – if he had not stayed, then surely the sanctuary would have been lost. His actions led the old wizard’s daughter to victory, and surely now that they have been reunited, the random dude will take his rightful place as a champion of the light. And also probably marry the wizard’s daughter, and produce a suitable male heir…
Everyone basically just tunes him out as the random dude and the daughter fistbump, and the dude sags in relief when the daughter explains that he can go home now and then drops like a sack full of gold into his arms to try and compensate him for all the trouble.
~ Fin
You had me at “distract the old man with training montages”.
You’re fourteen and you’re reading Larry Niven’s “The Protector” because it’s your father’s favorite book and you like your father and you think he has good taste and the creature on the cover of the book looks interesting and you want to know what it’s about. And in it the female character does something better than the male character – because she’s been doing it her whole life and he’s only just learned – and he gets mad that she’s better at it than him. And you don’t understand why he would be mad about that, because, logically, she’d be better at it than him. She’s done it more. And he’s got a picture of a woman painted on the inside of his spacesuit, like a pinup girl, and it bothers you.
But you’re fourteen and you don’t know how to put this into words.
And then you’re fifteen and you’re reading “Orphans of the Sky” because it’s by a famous sci-fi author and it’s about a lost generation ship and how cool is that?!? but the women on the ship aren’t given a name until they’re married and you spend more time wondering what people call those women up until their marriage than you do focusing on the rest of the story. Even though this tidbit of information has nothing to do with the plot line of the story and is only brought up once in passing.
But it’s a random thing to get worked up about in an otherwise all right book.
Then you’re sixteen and you read “Dune” because your brother gave it to you for Christmas and it’s one of those books you have to read to earn your geek card. You spend an entire afternoon arguing over who is the main character – Paul or Jessica. And the more you contend Jessica, the more he says Paul, and you can’t make him see how the real hero is her. And you love Chani cause she’s tough and good with a knife, but at the end of the day, her killing Paul’s challengers is just a way to degrade them because those weenies lost to a girl.
Then you’re seventeen and you don’t want to read “Stranger in a Strange Land” after the first seventy pages because something about it just leaves a bad taste in your mouth. All of this talk of water-brothers. You can’t even pin it down.
And then you’re eighteen and you’ve given up on classic sci-fi, but that doesn’t stop your brother or your father from trying to get you to read more.
Even when you bring them the books and bring them the passages and show them how the authors didn’t treat women like people.
Your brother says, “Well, that was because of the time it was written in.”
You get all worked up because these men couldn’t imagine a world in which women were equal, in which women were empowered and intelligent and literate and capable.
You tell him – this, this is science fiction. This is all about imagining the world that could be and they couldn’t stand back long enough and dare to imagine how, not only technology would grow in time, but society would grow.
But he blows you off because he can’t understand how it feels to be fourteen, fifteen, sixteen, seventeen and desperately wanting to like the books your father likes, because your father has good taste, and being unable to, because most of those books tell you that you’re not a full person in ways that are too subtle to put into words. It’s all cognitive dissonance: a little like a song played a bit out of tempo – enough that you recognize it’s off, but not enough to pin down what exactly is wrong.
And then one day you’re twenty-two and studying sociology and some kind teacher finally gives you the words to explain all those little feelings that built and penned around inside of you for years.
It’s like the world clicking into place.
And that’s something your brother never had to struggle with.
This is an excellent post to keep in mind when you see another recent post criticizing the current trend of dystopian sci-fi and going on about how sci-fi used to be about hope and wonder.
Steel Phoenix Studios 