One overlooked thing that really sets the Lord of the Rings films apart from other franchises is how earnest they are-
Most movies are so afraid of being “cheesy” that whenever they say something like “friendship is the most powerful force in the world” they quickly undercut it with a joke to show We Don’t Really Believe That! 😉 Even Disney films nowadays have the characters mock their own movie’s tropes (”if you start singing, I’m gonna throw up!”) It’s like winking at the camera: “See, audience? We know this is ridiculous! We’re in on the joke!”
But Lord of the Rings is just 12.5 hours of friendship and love being the most powerful forces in the world, played straight. Characters have conversations about how much their home and family and friends mean to them, how hope is eternal, how there is so much in the world that’s worth living for…. and the film doesn’t apologize for that. There’s no winking at the audience about How Cheesy and Silly All This Is; it’s just. Completely in earnest.
And when Lord of the Rings does “lean on the fourth wall” to talk about storytelling within the film, it’s never to make jokes about How Ridiculous These Storytelling Tropes are (the way most films do)…. but instead to talk about how valuable these stories can be. Like Sam’s Speech at the end of the Two Towers: the greatest stories are ones that give you something to believe in, give you hope, that help you see there are things in a bleak violent world that are worth living for
Earnestness is so much cooler than all the hip cynicism in the world. You go LOTR
also consider: LOTR but hobbits have Tapeta Lucidum
Boromir gets the fright of his life their first night on the road
Boromir: *glances over his shoulder* ??!!!!???!!
Hobbits:
Hobbits: what
i will never get over that you used an image of raccoons for this purpose because it is incredibly accurate
LOTR au but instead of hobbits literally raccoons
Gandalf: well this raccoon found the ring and has been carrying it around. unfortunately we can’t take it off him or he gets very bite-y. so I figure, the raccoon is the ringbearer now
Elrond: what are those other three raccoons doing here
Gandalf: he brought his buddies. I call this one ‘Merry’
Aragorn: *watching Frodo & Sam scamper off in the direction of Mordor* our hopes lie with those raccoons now
Legolas: do they… know where they are going
Aragorn: I sure hope so
Faramir: father why is this raccoon in the livery of the citadel
Denethor: haha doesn’t he look precious
Elfhelm: Dernhelm, is that a raccoon in your bag?
Dernhelm: *sweating nervously* Uh no, sir.
Eowyn, later: And I said no, you know, like a liar.
Denethor: WHY did you let a raccoon go off with the Ring??
Faramir: ….it just seemed like the right thing to do
Gandalf: he scratched you up real good huh
Faramir: ……………gouged my FUCKING arm and bit me on my face
Witch King: no living man can kill me – AUGH FUCK, RACCOON, RACCOON ON MY LEG ARGHHHH
Eowyn: *stab*
Wraiths break into the room at the prancing pony: *UnHoLy ScReEcHiNg*
Trash Panda Hobbits:
Wraiths: Oh, what the fuck, whAT THE FUCK IS THAT?!
Treebeard: Baroom, humm, where are my small, impatient friends?
Merry and Pippin:
Don’t go where I can’t follow, Mr. Frodo.
~~~~~~The Hobbit interlude~~~~~~
Thorin:
You’re the burgular.Go on and…burgle something! Bilbo:
Saruman: Well since some fucking TREES took over Isengard I guess I’ll take over The Shire. Farmer Maggot and ever other Halfling down to the Sacksville-Bagginses:
aight fuckers I’m doing it I’m spending a full $4 to watch the first lotr movie, for the first time
so like I get, you know, power and malice and cruelty were ‘poured’ into the rings, but like. what did they actually put in those things. what fuckin gold gives a ring malice. why did the elves only get three.
holy shit it’s Agent Smith with pointy ears
this ring was made of weet-bix and nutri grain
it was in this moment, when all hope was lost, that issieldor-whoever took up his father’s sword –
I’M SORRY BUT I’M LAUGHING THE RING GIVES THE BIG BAD GUY LIKE DARK MAGIC AND A DEMON ARMY TO CONTROL BUT EESEELDOOR PUTS IT ON AND HE JUST TURNS INVISIBLE
holy shit I just experienced seven and a half minutes of introductory exposition by a mysterious lady who apparently thinks VERY little of hobbits
omg is this WHOLE movie exposition
it has been remarked by some that a hobbit’s only real passion
is for food
FOOD
a wizard is never late
says Ian McKellan, wishing he was Julie Andrews, Queen of Genovia
I know absolutely nothing about either of these two but I already fucking love their relationship it’s beautiful
OH SO BILBO’S THE FUCK THAT CAUSED ALL THOSE JUMP SCARES
oh shit son he’s got the ring and the golem voice
okay so that’s pretty fucking cute
apparently every hobbit has an instinctual urge to hug Ian McKellen and honestly? same
holy shit guys I’m not even 20 minutes in I’m gonna have to make multiple posts
Legolas pretty quickly gets in the habit of venting about his travelling companions in Elvish, so long as Gandalf & Aragorn aren’t in earshot they’ll never know right?
Then about a week into their journey like
Legolas: *in Elvish, for approximately the 20th time* ugh fucking hobbits, so annoying
Frodo: *also in Elvish, deadpan* yeah we’re the worst
Legolas:
~*~earlier~*~
Legolas: ugh fucking hobbits
Merry: Frodo what’d he say
Frodo: I’m not sure he speaks a weird dialect but I think he’s insulting us. I should tell him I can understand Elvish
i mean, honestly it’s amazing the Elves had as many languages and dialects as they did, considering Galadriel (for example) is over seven thousand years old.
english would probably have changed less since Chaucer’s time, if a lot of our cultural leaders from the thirteenth century were still alive and running things.
they’ve had like. seven generations since the sun happened, max.
frodo’s books are old to him, but outside any very old poetry copied down exactly, the dialect represented in them isn’t likely to be older than the Second Age, wherein Aragorn’s foster-father Elrond started out as a very young adult and grew into himself, and Legolas’ father was born.
so like, three to six thousand years old, maybe, which is probably a drop in the bucket of Elvish history judging by all the ethnic differentiation that had time to develop before Ungoliant came along, even if we can’t really tell because there weren’t years to count, before the Trees were destroyed.
plus a lot of Bilbo’s materials were probably directly from Elrond, whose library dates largely from the Third Age, probably, because he didn’t establish Imladris until after the Last Alliance. and Elrond isn’t the type to intentionally help Bilbo learn the wrong dialect and sound sillier than can be helped, even if everyone was humoring him more than a little.
so Frodo might sound hilariously formal for conversational use (though considering how most Elves use Westron he’s probably safe there) and kind of old-fashioned, but he’s not in any danger of being incomprehensible, because elves live on such a ridiculous timescale.
to over-analyse this awesome and hilarious post even more, legolas’ grandfather
was from linguistically stubborn Doriath and their family is actually from a
somewhat different, higher-status ethnic background than their subjects.
so depending on how much of a role Thranduil took in his
upbringing (and Oropher in his), Legolas may have some weird stilted old-fashioned speaking tics in his
Sindarin that reflect a more purely Doriathrin dialect rather than the Doriathrin-influenced Western Sindarin that became the most widely spoken Sindarin long before he was born, or he might have a School Voice
from having been taught how to Speak Proper and then lapse into really
obscure colloquial Avari dialect when he’s being casual. or both!
considering legolas’ moderately complicated political position, i expect he can code-switch.
…it’s
also fairly likely considering the linguistic politics involved that Legolas is reasonably articulate in Sindarin, though
with some level of accent, but knows approximately zero Quenya outside of loanwords into Sindarin, and even those he mostly didn’t learn as a kid.
which would be extra hilarious when he and gimli fetch up in Valinor in his little homemade skiff, if the first elves he meets have never been to Middle Earth and they’re just standing there on the beach reduced to miming about what is the short beard person, and who are you, and why.
this is elvish dialects and tolkien, okay. there’s a lot of canon material! he actually initially developed the history of middle-earth specifically to ground the linguistic development of the various Elvish languages!
Legolas: Alas, verily would I have dispatched thine enemy posthaste, but y’all’d’ve pitched a feckin’ fit.
Aragorn: *eyelid twitching*
Frodo: *frantically scribbling* Hang on which language are you even speaking right now
Pippin, confused: Is he not speaking Elvish?
Frodo, sarcastically: I dunno, are you speaking Hobbit?
Boromir, who has been lowkey pissed-off at the Hobbits’ weird dialect this whole time: That’s what it sounds like to me.
Merry, who actually knows some shit about Hobbit background: We are actually speaking multiple variants of the Shire dialect of Westron, you ignorant fuck.
Sam, a mere working-class country boy: Honestly y’all could be talkin Dwarvish half the time for all I know.
Pippin, entering Gondor and speaking to the castle steward: hey yo my man
So (according to the concept art book) as the Fellowship travels deeper into Middle Earth, the places they pass through become inspired by progressively older periods of history. The farther along you are in the story, the more ancient the design influences
We begin in The Shire: which feels so familiar because, with its tea-kettles and cozy fireplaces, it’s inspired by the relatively recent era of rural England in the 1800s
But when we leave Hobbiton, we also leave that familiar 1800s-England aesthetic behind and start going farther back in time.
Bree is based on late 1600s English architecture
Rohan is even farther back, based on old anglo-saxon era architecture (400s-700s? ce)
Gondor is way back, and no longer the familiar English or Anglo-Saxon: its design comes from classical Greek and Roman architecture
And far far FAR back is Mordor. It’s a land of tents and huts: prehistoric, primitive, primeval. Cavemen times
And the heart of Mordor is a barren lifeless hellscape of volcanic rock…like a relic from the ages when the world was still being formed, and life didn’t yet exist
And then they finally reach Mount Doom, which one artist described as
“where the ring was made, which represents, in a sense, the moment of creation itself”
I’ve watched the movies a few times and love them so much so I can’t believe I actually missed this!
This was so obvious when I realized it, but I think most people miss
it, because we’re so desensitized by D&D-style magic with immediate,
visibly, flashy effects, rather than more subtle and invisible forces
of magic. When Gollum attacks Frodo on the slopes of Mount Doom, Frodo
has the chance to kill him, but he doesn’t. Instead, he says:
Frodo: Go! And if you ever lay hands on me again, you yourself shall be cast into the Fire!
Frodo’s not just talking shit here. He is literally, magically laying a curse. He’s holding the One Ring in his hands as he says it;
even Sam, with no magic powers of his own, can sense that some powerful
mojo is being laid down. Frodo put a curse on Gollum: if you try to
take the Ring again, you’ll be cast into the Fire.
Five pages later, Gollum tries to take the Ring again. And that’s exactly what happens.
Frodo’s geas takes effect and Gollum eats lava.
On further reflection:
All the other people in the franchise who were offered the Ring declined to take it because they were wise enough to know that if they used its power – and the pressure to do so would be too great – they would be subject to its corruption.
Frodo uses the power of the Ring to lay a geas, and then five minutes later at the volcano’s edge, succumbs to its corruption. The Ring has gotten to him and he can no longer give it up. Because he used its power.
On further further reflection: I’d have to read the section again, but I recall that after throwing Gollum off and laying the geas, Sam observes that Frodo seems suddenly filled with energy again when previously he had been close to dead of fatigue. He hikes up the mountain so fast he leaves Sam behind – and doesn’t even seem to notice that he’s left him behind.
Could he have been drawing on the Ring’s power at this point in the story?
At this point in the story we’re relying on Sam’s narration, and Sam doesn’t know what’s going on in Frodo’s head, so it’s hard to say for sure.
Having used it once, after spending so long holding out against it, was that the breach in the dam?
Which means that the moment that Frodo succumbs to temptation is not the moment at the volcano – it was already too late by then. The moment he is taken by temptation was when he used the power of the Ring to repel Gollum.
If so, this ties in neatly with discussions I’ve seen about how Tolkien subscribes to a “not even once” view of good and evil – that in many other works it’s acceptable to do a small evil in service of a greater good, but in Lord of the Rings that always fails.
Re-reading Fellowship of the Rings, and I got to this passage in Lorien:
‘I would ask one thing before we go,’ said Frodo, ‘a thing which I often meant to ask Gandalf in Rivendell. I am permitted to wear the One Ring: why cannot I see all the others and know the thoughts of those that wear them?’
‘You have not tried,’ [Galadriel] said. ‘Only thrice have you set the Ring upon your finger since you knew what you possessed. Do not try! It would destroy you. Did not Gandalf tell you that the rings give power according to the measure of each possessor? Before you could use that power you would need to become stronger, and to train your will to the domination of others.’
In other words:
Frodo asks Galadriel, herself carrying a Ring of Power, “Could I, hypothetically, use the power of the One Ring to do something magical aside from turning invisible?” and Galadriel replies, “Yes, hypothetically, you totally could, assuming the magic you want to do involves laying compulsions on others, but I strongly recommend against it, because it would fuck up your brain.”
This was in the first book. At the end of the third book Frodo uses the Ring to fuck Gollum up, forcing him to throw himself into lava if he disobeys Frodo’s commands.
Talk about a chekov’s gun.
Got to this point in my re-read and uh. This was a lot less subtle than I remembered it.
‘Down, down!’ [Frodo] gasped, clutching his hand to his breast, so that beneath the cover of his leather shirt he clasped the Ring. ‘Down, you creeping thing, and out of my path! Your time is at an end. You cannot slay me or betray me now.’
Then suddenly, Sam saw these two rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice.
‘Begone, and trouble me no more! If you touch me ever again, you shall be cast yourself into the Fire of Doom.’
Then the vision passed and Sam saw Frodo standing, hand on breast, his breath coming in great gasps, and Gollum at his feet, resting on his knees with his wide-splayed hands upon the ground.
Steel Phoenix Studios 