13 years ago today, Pepsi’s Super Bowl commercial starring Beyoncé, BritneySpears, Pink & Enrique Iglesias was premiered. #PepsiGladiators
Damn these were simpler times
so lemme break this down
-lord caesar iglesias, who does not sing in this musical commercial, has captured britney spears, pink, and beyonce to battle it out gladiator style -our trio decides instead of fighting, they will instead rock so hard that the audience forgets about their battle to the death -their musical prowess is so damn powerful they rock the foundation of the earth and overthrow caesar iglesias along with his stash of ancient roman pepsi -beyonce, britney spears, and pink drink pepsi while the audience cheers -enrique iglesias is eaten by a lion
Brazilian graphic designer and illustrator Butcher Billy got the idea of turning famous love hits into book covers of horror master Stephen King.
Joy Division’s “Love Will Tear Us Apart,” The Smiths, “Head Over Heels” by Tears For Fears and many others were portrayed in a very unusual way.
“This series imagines an alternate universe where some of the most desperate and tragic romantic songs in the ‘70s and’ 80s are actually books written by Stephen King. The concept is to look at the dark side of love by the vision of pop culture, bringing aspects of its classic stories to play the true meaning of the songs – this can be completely subverted or stressed strangeness, while paying tribute to the vintage design of the original covers,” Butcher writes on his Behance.
Every time I see this I’m not sure if its fandom content or just a summary of what being piss drunk with your best friend is like but either way it’s Perfect
Textual evidence that the speaker in Toto’s “Africa” is the protagonist of a late 1990s JRPG:
I hear the drums echoing tonight / But she hears only whispers of some quiet conversation – JRPG protagonists’ love interests typically have access to some secret knowledge or heritage, often manifesting as voices that no-one else can hear
I stopped an old man along the way / Hoping to find some long forgotten words or ancient melodies
– This is an utterly deranged interaction unless the speaker inhabits a world in which random passers-by can be counted on to have a single line of oddly plot-relevant dialogue apiece
It’s gonna take a lot to take me away from you / There’s nothing that a hundred men or more could ever do
– This couplet implies extraordinary combat prowess
The wild dogs cry out in the night / As they grow restless, longing for some solitary company
– Ordinarily reclusive monsters mysteriously growing restless and seeking human contact is a common textual justification for the high random encounter rates of old-school JRPGs
As sure as Kilimanjaro rises like Olympus above the Serengeti / I seek to cure what’s deep inside, frightened of this thing that I’ve become
– A clear reference to the speaker’s terrible hidden power, which they must master in order to assume their role as the Chosen One; sacred mountains are a customary site of quests to attain such mastery
Gonna take some time to do the things we never had – An equally clear reference to an unfinished series of arcane sidequests.
“The Rains Down in Africa” is the name of the protagonist’s ultimate weapon that you get for completing said series of sidequests.