ts-porter:

amy-draws:

cryptfly:

ts-porter:

ts-porter:

ts-porter:

iztarshi:

ts-porter:

iztarshi:

Inspired by various tumblr posts.

Humans quickly get a reputation among the interplanetry alliance and the reputation is this: when going somewhere dangerous, take a human.

Humans are tough. Humans can last days without food. Humans heal so fast they pierce holes in themselves or inject ink for fun. Humans will walk for days on broken bones in order to make it to safety. Humans will literally cut off bits of themselves if trapped by a disaster.

You would be amazed what humans will do to survive. Or to ensure the survival of others they feel responsible for.

That’s the other thing. Humans pack-bond, and they spill their pack-bonding instincts everywhere. Sure it’s weird when they talk sympathetically to broken spaceships or try to pet every lifeform that scans as non-toxic. It’s even a little weird that just existing in the same place as them for long enough seems to make them care about you. But if you’re hurt, if you’re trapped, if you need someone to fetch help?

You really want a human.

“Looks like someone for you.”

Jon kicked Ginna’s boots, which were currently resting on the table, and she glanced over toward the door. A clump of knee-high aliens, plump and round and covered in golden fur, were lifting their little pink noses into the air – scenting the air in the bar.

Sashrans. Perfect.

Ginna quickly downed the last of her drink and dropped her feet to the floor. The Gentleman of Fortune was full to the gills of professional companions looking for work, she wouldn’t be the only one in here with a fondness for sashrans. She needed to work quickly if she wanted a chance at whatever job these ones were hiring for. The sound and vibration of her boots caught the attention of the group, and Ginna followed it quickly with a greeting in the quiet shushing sounds of their own language.

A universal translator would take care of most of the talking, but by knowing a little of their language Ginna proved she had worked with their kind before and cared enough to learn it. Caring was probably the most important skill a companion could cultivate.

It paid off. The group of sashrans centered quickly on her and darted over, still in their clump.

“I am human Ginna, companion for hire,” Ginna introduced, tapping the side of her visor to activate the display.

“Sala and Rini, with crew. Spice collectors,” the largest of the sashrans introduced, tapping at their own earbud. Their information began to stream onto Ginna’s display, while her own would be playing in their ear. She was proficient in everything from weapons to mechanics to medicine, xenobiology to politics, and of course survival in any kind of situation from atmosphere decompression in space to a tsunami on a planet. The more varied the knowledge they had the better a companion a human could make, and Ginna prided herself on being one of the best.

As for the sashrans, they’d found a jungle planet with a plant that was delicious to their senses. Cultivation efforts had failed thus far, so the price was high enough to support the risk of hunting for it on its home range. A six-month tour was on offer. It seemed they’d contracted with another professional companion a few times, a man named Drix, and Ginna quickly switched over to the guild’s internal records to see what he had to say of these sashrans and the planet they were harvesting from.

The sashrans themselves would be able to check what Ginna’s former employers had to say about her too.

Drix had enjoyed working with Sala and Rini’s crew, it dripped out of every line of his reports. He’d included good detail about life aboard their ship and the risks of the planet, that Ginna would have to look into closer later to be prepared.

All she needed to know at the moment was that they paid well, the risks were not unacceptably high, and that they treated their human companions well. It sounded like a job for her.

“Sala and Rini and crew, I would take this job,” Ginna told them.

The sashrans shushed and buzzed together, their tones sounding happy to Ginna’s relatively untrained ear, and she hoped she was reading them right. They were such beautiful little creatures, and she’d always enjoyed working for their kind before. They were close enough she could have reached out to touch them, pet their soft velvet fur, but she resisted. Touching them uninvited would be rude.

Finally they turned back to her. “Sala and Rini and crew will, with joy, contract to hire companion Ginna,” the lead one answered.

Contract negotiations went quickly enough, using the standard guild template and modifying it here or there as both parties preferred and agreed upon. Sashrans were easy to haggle with, not like the argumentative akskar. Soon enough Ginna had a contract and three days to prepare her effects for travel.

“It has been a pleasure,” Ginna told the sashrans. “I look forward to being your companion.”

She would have expected them to leave, then, go get their own things ready for launch. Instead the smallest one pushed forward – all wrapped in pale gold velvet fur and their sweet little pink forepaws resting on Ginna’s knee.

“Companion Ginna will now engage in petting for promotion of pack bonding?” they asked hopefully.

“Of course,” Ginna reached out toward the sashran, let them smell her palm, but it seemed this sashran wasn’t shy at all. They immediately pushed their head into her hand. There was nothing in the galaxy so soft as a sashran’s fur. Ginna dug her fingers in around the ruff of the sashran’s neck, gently scratching, and then smoothed the fur all the way down their back.

The sashran made a dreamy-soft pleasure sound, and Ginna mimicked it back. “Oh you sweetheart,” she murmured. Already she could feel that little melting tug in her heart, that protective urge that set some humans on the path to professional companionship.

Come hell or high water, Ginna was going to keep these sashrans safe.

Aw, yes. Look at the adorable scifi! I’m proud to have inspired it.

(I’m so glad you enjoyed it!)

Six months was just about right for a jungle planet tour with a group of sashrans. Ginna loved Sala and Rini and the crew to distraction, and there was still nothing in the galaxy softer than sashran fur, but she was ready to move on. Being regarded as furniture a lot of the time, once they were used to her presence, got tiring after a while. Sala and Rini weren’t looking for a permanent companion, and Ginna wasn’t looking for that either. She’d joined the guild because she wanted to see the universe and meet all the peoples in it, after all.

The spice expedition had been a great success. The sashrans’ hold was full to bursting of dried twigs and leaves, and Ginna had gotten a healthy bonus on top of her already generous pay. There’s only been the one incident with a large angry herbivore who decided the sashrans were infringing too close on its breeding grounds. Still, Ginna had thwacked it in the face with a dead branch and distracted it long enough for the sashrans to make their escape, and only gotten the one cracked rib for her trouble when it tried to run her down.

Ginna hugged and kissed each sashran on the crew one last time. “If you ever need me, don’t hesitate to call,” Ginna told them, wiping a stray tear. Sala and Rini and crew endured this human foible, and were off to sell their goods.

The Gentleman of Fortune was the same as ever, serving interesting foods and drinks from across the galaxy and full of professional companions between tours. Her friend Jon had shipped out with a hunting pack of akskar, but May was finally back from er three-year stint in a lintran colony and they had a lot of catching up to do.

It was great to be back among humans, it really was. Ginna sent some money home and laughed and drank and celebrated with people who had the same base template and urges she did. For about two weeks, it was great. Then Ginna got that itch again and started watching the door of the Gentleman of Fortune, scoping out her options.

Vivid jehes, stolid orhides, hovering mellisugans – none of them felt quite right, and Ginna didn’t approach any of them. Other companions gladly worked up contracts and left for exploration expeditions and disaster relief efforts and new colonies.

Then a big bull barbax pushed into the bar, weight resting on xir heavy knuckles and ducking far far down to fit but still scraping xir cracked and weathered shoulder-spikes on the frame. The barbax swung xir heavy head from side to side, small beady eyes – well protected under a heavy brow – sweeping the space.

Perfect.

Ginna jumped up to stand on top of her chair and screamed as loud as she possibly could. The barbax rocked back, then sprang forward toward her, slamming xir knuckles hard against the floor in pleased approval.

.

Three days later Ginna was shipping out for a nine month tour with a crew of barbax miners. The desert planet they were headed for would be a nice change of pace from the muggy humidity of her last tour, and the barbax being so much bigger and heavier-armored than she was meant she didn’t have to worry about being a body guard on this trip. Much more relaxing.

Barbax liked shiny things, and already they’d bought Ginna a cute cropped jacket with imitation shoulder spikes to match them, and several bracelets and necklaces. It would have been rude not to wear them, and Ginna had to admit she looked good even if it wasn’t her usual style.

The bull barbax, Zab, absently grabbed Ginna by the waist and settled her on xir shoulder. Ginna easily settled in between the big spikes – they made good handholds as she was carried onward to the ship.

“Twisted xeno freak!” some human snarled after Ginna and the barbax crew. “You’re a traitor to human-kind. You make me sick!”

Gina laughed. “Jealous you lack the emotional capacity to cut it as a companion?” she mocked.

The xenophobe’s embarrassed and angry expression was the last thing Ginna saw of the station. Then the ship doors closed behind them, and she turned to face her next adventure with a smile.

Ginna returned to her home base at the Gentleman of Fortune absolutely glittering with platinum and rough citrine.

A fact – For all their strength, a barbax is not fast enough to evade a nest of sand snakes. For all their armor, a sand snake’s teeth can still pierce them.

A human companion, fueled by adrenaline, is more than fast enough to evade. But they might instead dive in between the panicking barbax and destroy the sand snakes attacking them.

Another fact – a sand snake’s venom is deadly to a barbax. Their blood coagulants are destroyed and they bleed out from even such a tiny wound. Their armored hide is too strong for the tourniquet that might save them. A human, bitten by a sand snake, gets off with a painful wound and some bruising.

Ginna tied her bandana around the bleeding wound on her thigh and got to work. Zeb and Gnar and Agi were bitten. The crew, their family, piled around them, drumming against their hides in mourning. They had two hours to live, according to the barbax medic.

Ginna delivered a cure in 30 minutes. Thirty minutes with the clock racing. Thirty minutes far too long, with death creeping up on her friends. She drew a liter of her own blood, repurposed a mining centrifuge to separate it, and filled three big syringes with plasma. Her red blood cells would be toxic, foreign to the barbaxes bodies. She could only hope her plasma was less so.

They might die of it; but they would die if she didn’t try.

Facts – the only place a barbax is tender enough to be injected by even the strongest medical needle is in the vein along their gumline.

– it takes five minutes for blood to circulate all the way through a barbax’s body.

– it takes another minute after that for a sand snake wound to clot, and the blood loss to cease.

The barbax crew trumpeted and pounded their knuckles against the floor with surprised joy. And only then, only when the slow bleeding had finally stopped, did Ginna sit down and cry with relief. She was shaky and dizzy from drawing so much blood, and badly bruised from getting jostled by the panicking barbaxes, and the wound on her own thigh was very painful now that she had nothing else to focus her mind away from it, but she’d done her companion’s duty and saved her friends.

She was fussed over, tended to and praised. She explained what she had done, and was given far more sweets and water than she could possibly consume to replenish herself when she explained that’s what she needed to recover.

Zeb and Gnar and Agi were sick for a week, with the aftereffects of the sand snake poison and purging their bodies of her alien plasma, but they lived. That was the important part.

It turned out that having given a part of herself into the barbax (nevermind that it was just plasma and their bodies purged it afterward) Ginna had done literally what was done symbolically for a barbax crew-bond. She was now crew-bond to the barbax she’d saved, and since Zeb was the senior bull and crew-bond to the entire crew, that meant she was too. She was family – married to the whole lot of them, in essence.

Ginna was not exactly sure how she was going to break that to her moms.

Thankfully the barbax had a laze faire concept of marriage. None of them thought it odd that Ginna planned to leave still at the end of her contract. They would have gladly kept her if she wanted to stay, but she didn’t.

They would have weighed her down with a quarter ton of jewelry, to be decorated the same as one of them, but thankfully Ginna talked them out of it. Her crew were miners by trade, but they were craftspeople by inclination, and they made her beautiful sets from the platinum they were mining that weren’t too heavy for her fragile human limbs. The style was armor-like and spiky and set with beautiful rough citrine that would have been discarded as mining waste otherwise.

Ginna wore it proudly. She spent one last evening drumming with the barbax crew, and then she was back among humans, back at the good old Gentleman of Fortune. Elizabeth was fresh back from the jungles of Shur with a lathan colony, and they had a lot of catching up to do.

Ginna was in no rush to head out again. She took some classes offered through the guild, brushing up on her knowledge base, and pondered her options carefully. She wanted something new, something different.

Late one evening – or maybe it was early morning by that point – a faint high note echoed through the Gentleman of Fortune. There was a collective intake of breath, an uncomfortable quiet, and Ginna looked to where everyone else was looking. A roughly human-sized shimmer was drifting deeper into the bar.

A tintillian. Ginna had never actually met one, she’d only ever heard of the telepathic aliens. They were not strictly corporeal in the same way most contacted species were.

The tintillian chimed again, hopeful, almost plaintive. And no one was answering.

Ginna was singing back the tintillian’s note before she really thought it through. It chimed again, a lower note thankfully or Ginna might not have been able to hit it, and Ginna again mimicked it. As Ginna held the note, it chimed a double note in harmony with her, and drifted closer.

The note Ginna was singing cut off, her heart in her throat, but the tintillian recoiled and drew back before it touched her. Began to drift away.

Metal. Right. They couldn’t abide concentrations of heavy metals and Ginna was encased in platinum. Ginna began ripping all her jewelry off, stacking it in a loose pile on the table. What had possessed her to wear so much of it?

“Help!” Ginna pleaded, turning her other ear toward Elizabeth as she struggled with the earrings. “Liz, please.”

Elizabeth laughed and relented, quick to help her out of all her platinum. Ginna took her boots off too, they had metal eyelets. And her pants had zippers, so they had to go. And her bra had an underwire, so Ginna wrestled that out through her sleeve and finally stepped toward the tintillian in just her shirt and boxers.

No one else was trying to approach the still-chiming tintillian. Telepathy was beyond what most of them were comfortable with. There would be no universal translator for this interaction, it would be direct. Mind to mind.

At least Ginna halfway stripping was far from the weirdest thing that had ever happened in the Gentleman of Fortune.

Ginna sang the note again, and the tintillian harmonized and moved back toward her. It changed as it got closer, until Ginna was almost looking at a mirror – a transparent shining woman. It lifted its hand, and Ginna echoed the motion. Her fingers were shaking, but Ginna cleared her mind and was full of only curiosity and affection when the tintillian merged hands with her. Like a point of golden light.

Suddenly, through it, Ginna was weightless, boundariless, her self wrapped around by the fear and curiosity of the others in the bar. Ginna laughed aloud, that joy echoed, rebounded, and strengthened as the tintillian drifted forward to merge completely.

Ginna’s affections were bare, all the connections she’d made with her contracts exposed, her trainings mulled over, her self weighed and judged and found adequate. The burning curiosity that had made her approach it pushed Ginna to delve into the tintillian in turn. It was all starlight and nebulas, ancient and brand new.

The job on offer was midway between exploration and rescue – a star nursery where an expedition of the tintillian’s mind-mates had disappeared. They had two months to map what they could, and recover the lost mind-mates if possible.

Ginna’s physical and psychological needs would be met, and the terms of her regular contract were seen as acceptable.

The merge faded, and the tintillian winkled out – off back to its vessel to prepare. Ginna dropped back into her own body and sagged into her chair.

“So?” she was asked, people crowding around. She didn’t need the tintillian to practically feel their burning curiosity.

“I got a two-month contract,” Ginna said.

She took a small seated bow for the cheers that echoed through the bar, and accepted the celebratory drinks that were passed her way.

First professional companion to contract with a tintillian. This was definitely going to be one for the history books.

[ THE END ]

I will write no more of these. Thank you! I’ve had a lot of fun in this ‘verse.

If you want to read about Elizabeth, please turn your eyes toward the very cool fill that Chrissy did utilizing the Gentleman of Fortune and companions guild concept. [link]

(if anyone else uses these headcanons please let me know I’d love to read it!)

(lol I lied have another Ginna fic)

Loren’s first run as an apprentice companion was supposed to be an easy one. A short contract, with low danger and a seasoned companion of the guild as mentor. Loren got along great with both Jon and the akskar crew. Every conversation was an argument, a test of skill and ingenuity. Some humans found akskar to be exhausting, but Loren felt right at home. It was just like being back at the old shipyards with er sibs.

So it was great, it was really great until they ran into danger way above Loren’s paygrade. Space was dangerous, vast and unexplored and unpredictable. So on Loren’s first practice run e ended up stranded with a dead ship on a dead planet. At least Jon and the akskar weren’t dead too.

Theirs wasn’t the only ship downed.

“Jon? That you?” A voice crackled faintly in through their companion visors while the akskar were still folding their long limbs into their own protective gear.

“Ginna!” Jon answered, relief obvious in his voice as he tapped the side of it to answer. “I’ve got an apprentice and a family of young akskar politicians. What have you got?”

“Jehe musicians and a dead ship. My scans show a cave we can shelter in near enough to both ships for scavenge. Coordinates incoming.”

Loren had no idea how this Ginna had managed to scan for a cave through the radiation bursts, but e was glad of it. Loren was surprised the coms were still working when everything else was totally fried–but they did say that companions guild coms and universal translators were always the last thing to go. They could pass through the pinch of a black hole undamaged, they said.

Jon relayed instructions, which Loren and the akskar followed, so they were weighed down heavy with emergency supplies and broken ship bits when they headed out onto the planet’s ravaged surface.

Ginna and her crew had already made it to the cave and were sealing it into a habitable zone by the time Loren’s group arrived. Loren couldn’t tell much about Ginna other than that she was tall and she’d managed to keep her jehes from fluttering and panicking, which was impressive.

Once they were sealed in, and the akskar were comfortable enough to start a circular argument and the jehes to rest, Jon pulled Loren over to conference with Ginna. Ginna’s hair was all tight corkscrew curls tied back with a bandana, her smile big and friendly, when she took off her helmet.

“We’ve got food, we’ve got water, we’ve got radiation shielding – but we’ve only got about a day’s worth of air,” Jon started, once brief introductions were over.

“A day and a half,” Ginna corrected. “The akskar and jehes balance each other out a little bit.”

“And I can give us another two or three if I can repair the jehe and akskar air filters, or splice them together. There’s got to be enough working parts between them to make one functional filter.” Loren volunteered. It wasn’t so different from tech splice e’d done as a kid, just to see if something could be made from what was supposedly junk. Loren had grown up doing this stuff.

“Air first.” Ginna nodded. “Then we need to get word out, let people know where we are. It’s time to call in favors. What are our best contacts, other than the main guild office?”

“These akskar are offshoots of the grand trunk,” Jon said, which Loren had not known. They were practically royalty! Minor royalty, but still. “If we get word to the trunk, they’ll send help. And their line is allied to the fruiting bough consortium. One of their main officers owes me a favor.”

“Good,” Ginna nodded and turned toward Loren as if expecting em to chime in.

“I don’t…” Loren floundered. “I don’t know anybody.”

Ginna’s expression softened. “First time out?“ she patted Loren’s shoulder when e nodded. “Don’t worry. Jon and I have both been in tighter spots and lived to tell. I’m thinking my best contact will be the barbax miners. A little radiation storm like this is nothing to them, and they’ll send people if I call. I’m kind of married to over fifty of them now, they keep expanding the crew.”

“Married? To fifty barbax?” Loren boggled, but Ginna and Jon just laughed.

“It’s the kind of thing that happens on accident,” Jon said. “It far from the weirdest thing you’ll see if you stick with the guild.”

Loren kind of hoped e’d live to see weirder things. Being stranded on a dead world with two dead ships was bad. Really bad. But Jon and Ginna kept joking back and forth with each other, smiling and laughing. And if experienced companions like them were in good spirits that had to be a good sign.

Loren worked on the air filters. E worked on the air filters for a very long time. Loren got one working at about 31% to give them another half day, and then went back to the ship to scavenge parts from the kitchen to get the other one up to 67%, and that was the best e could do with what was available.

“I couldn’t have done better myself,” Jon praised. He and Ginna were working on cobbling together a communications array that would punch through the radiation storm, which was difficult with everything fried. They tried and tested and argued companionably back and forth–when they weren’t looking out for the crews they were contracted to. The emotional labor of keeping the akskar from falling into despondency while confined and the jehes from fretting themselves sick, and keeping them from antagonizing each other with their different needs and ways of being, was weightier than Loren would have expected.

Jon and Lauren had their work cut out for them figuring out new arguments and games to play with the akskar to keep them entertained. Ginna spent a lot of her time grooming and singing to the jehes in their own chirping language to keep them calm.

That was what being a professional companion was all about.

Not that Loren was all that sure e was going to get the chance to earn professional status. One day became two, became three, and nothing any of them tried was working to get a message out. Loren scavenged from both ships over and over again, with Jon and Ginna and alone, but nothing e brought back helped.

Loren couldn’t give up, though. That was why peoples from all over the galaxy hired human companions. Because humans didn’t give up, not until their last breath. Loren repurposed parts of a water filtration unit to get the more broken air filter to 72%, but that was only going to give them a few more days, and e went back to figuring out ways to make a stronger emergency beacon with Jon.

Ginna didn’t.

Loren found her up in the top of the cave, right by the entrance where their radiation shielding was weakest. She’d stripped down to her underthings, her body marked with scars here and there, and decorated over and around them with gleaming ivory-white tattoos against the warm brown of her skin. Loren could see the languages of akskar, sashrans, barbax, and others she wasn’t familiar with. Ginna was sitting cross-legged on the ground, eyes closed and face turned up to the dark sky. She was humming a long droning note under her breath.

“What are you doing?” Loren demanded.

“Trying to think in tintillian,” Ginna answered in a faraway voice, not opening her eyes.

“What? Why?”

“We can’t send a pulse, ping, or beacon out of here strong enough. So tintillian.”

Loren stamped er foot. “What good is thinking like another species going to do!? You could be helping us brainstorm better ideas. You can’t just stop. You can’t give up and die. We’re companions! Our contracts are counting on us!” Loren’s voice broke, tears far too close to the surface, and Ginna finally opened her eyes.

“Nothing in the galaxy can communicate better than a tintillian. They are connection,” Ginna explained, very gently. “They’re not individual. They’re like… fractals. Music where each note is a symphony and what we perceive as an individual is just the echo of a single riff. I contracted with them, once. I was inside it for two months, like a misplaced f flat in a nebula-choir of angels and starlight, and sometimes I can still feel it. Connect.”

Loren’s breath caught at the realization. “Stars and galaxies. You’re that Ginna,” e breathed. She was only one of the highest ranked professional companions, and came up in dozens of case studies. She’d provided the baseline measurements for companionship in more new species than anyone else. There wasn’t a species she’d shun, or a challenge she’d back down from.

Ginna smiled, that warm friendly smile that immediately forgave Loren for interrupting and being suddenly starstruck. “I’m that Ginna.” She tapped her visor where it was laying beside her. “And I’ve got two hours left before I have to do a radiation decontam, so I’m going to spend them being a very loud f flat.”

“Right. Sorry,” Loren backed away as Ginna’s eyes closed and she took her hum back up. “Thank you.”

Loren retreated, awkward stumbling back over er boots, and hyperventilated at Jon for a little bit. Jon just laughed.

“Careful with that puppy-crush, kid,” he teased. “Ginna’s ace. She doesn’t go for anybody.”

About an hour and a half later–when Loren was in the middle of a spirited game of leapfrog with the akskar crew to keep them entertained–Ginna returned. There was a pinging sound, like metal heating under the sun, a faint smell of ozone, and Ginna walked into the main part of the cave haloed in a shimmering glow. There was music, vast and incomprehensible under her voice when she spoke.

“Strip to your skivvies, Jon, and figure out what you want to say to the guild! We’re in contact.”

I LOVE GINNA I LOVE HUMAN COMPANIONS

@ts-porter I had to draw it.

OMG It’s perfect! That’s exactly what Ginna and the sashrans would look like. Thank you!

dear white male writers: DO NOT DO THIS

jennytrout:

geekandmisandry:

someoneintheshadow446:

catsfeminismandatla:

geekandmisandry:

laughlikesomethingbroken:

thatgirlonstage:

laughlikesomethingbroken:

laughlikesomethingbroken:

wearevengeancenow:

the-thorster:

fozmeadows:

These horrific, sexist, racist paragraphs – screenshotted and shared for posterity by James Smythe, to whom we are all indebted – are the work of one Liam O’Flynn, a writer and English teacher. Evidently, they come from his book Writing With Stardust: the Ultimate Descriptive Guide for students, parents, teachers, and lovers of English, and are intended as examples of good writing.

UM.

Dear white male writers: DO NOT DO THIS SHIT. IT IS SUPER GROSS AND FETISHISTIC AND ALSO TERRIBLE WRITING. THIS IS WHY WE CAN’T HAVE NICE THINGS. 

Like I just. “Her virility-brown eyes -” WHAT DOES THIS EVEN MEAN? How can you have an “Amazonian figure” ON a “wafer-thin body” when “figure” is a word that describe’s a body’s shape, and Amazonian means pretty much the DIRECT FUCKING OPPOSITE of “wafer-thin” in the first place? 

What the shitting fuck does ANY of this mean, apart from “I am only nebulously familiar with the concept of women and completely at a loss if I can’t compare their various bodyparts to jewels, animals and footstuffs”?

STOP 

GO TO WRITING JAIL

GO DIRECTLY TO WRITING JAIL, DO NOT PASS GO, DO NOT COLLECT $200

tag yourself i’m the two beryl-green jewels in the snow

if her ears frame her nose do they like, grow directly beside her nose? how does she see from them? 

*facepalm*

Writing With Stardust: the Ultimate Descriptive Guide for students, parents, teachers, and lovers of English

lovers of english

oh my goddddddd

i can’t get over this fucking post

“I loved her nebulous, eden-green eyes which were a-sparkle with the ‘joie de vivre’. They were like two beryl-green jewels melted onto snow.”

1. what the fuck is joie de vivre

2. melted jewels?

3. beryl green

eden green:

WHICH ONE IS ITTTTTTTTT

@laughlikesomethingbroken “Joie de vivre” is a French phrase that literally translates to “joy of living”, while it IS one of those phrases that gets used in English in this context it is SO EXTRA AND UNNECESSARY OH MY GOD. Don’t use French to make yourself sound sophisticated when you’re NOT

I don’t know where to even START. Curvilinear waist? Sugar candy-sweet? What the FUCK are seraph’s ears? Voguish clothes? What the everloving fuck is “constellation blue” supposed to mean??? Like forget the objectification, this writing is horrifying enough before we even get to the embedded sexism

seraph’s ears are ears that you can’t see bc they’re hidden behind her 6 wings

Oyster white teeth?

holy purple prose batman

Female writers do this too. Have you read a Mills and Boon novel? Have you read high school girls’ yaoi fanfics?

Uh oh, we were focusing too much on how a grown man is selling this shit and not enough shitting on teenage girls. Egalitarians here to put an end to that shit.

Also, a Mills & Boon novel would never have that kind of writing in it. Their highest submission word count is 80k. This kind of shit doesn’t fit in a Mills & Boon. If everyone was described like that, there would be no room for the plot. 

Maybe know something about romance novels before using them as lazy shorthand for “bad” while defending subpar writing from a self-important man.

beka-tiddalik:

thegrape-gatsby:

Another humans are weird space orcs idea because I really like thinking about it. What if aliens have no idea how to hide their emotions? Like, they suck at poker because they can never keep a straight face or anything. or, on a darker note, their ship is hijacked and they can’t keep the fear out of their faces, but all the humans look cold and emotionless to them. Other aliens hating having to bargain with humans becase we can bluff and keep our emotions in check so well, but when they get frustrated it’s all over. Pirates threaten the space ship and they send the human to do negotiations, and the pirate talking is super confused because no matter what threat he makes, the human just doesn’t seem to be fazed one bit.

Someone please, feel free to add to this, I love to see what else people come up with!

@space-australians

Okay, but now I’m thinking about how this ability is used in the context of animal training/hostage negotiation/teaching/customer service. Not just looking stone-faced, but completely lying with affect, body-language and vocal tone to seem calm, friendly, relaxed and in control of the situation in order to build rapport with an animal or person and to de-escalate aggression in a situation.

Proximity alarms start going off. A vessel is approaching.

Camilian: <looks at viewscreen> “Oh zark it, it’s the Parg.”

Egrat: <Dashes over> “Oh erting fraknabs, we’re dead.”

Human Crewmember:“The who?”

Camilian: <shudders>: “The Parg. Remember the civilisations living on those five planets Lei-ward of Helios 6?”

Human: “No? I thought that system was empty of sentient life.”

Camilian: “Exactly.”

 Human: “…ah.” <looks at flashing lights on console> “They appear to be hailing us.”

<Camilian and Egrat scuttle backwards away from console.>

Human: “…thanks a bunch, guys.” <presses hail pick-up button> “This is Communications Officer Haley Makini of the Starboat Fribling, how may I help you?”

Parg ship: “This is Zek of Parg.”

Human: “Hello Zek! How are you feeling this day-cycle?”

Parg Ship: “…”

Human: “I for one have been missing my family lately, I got a vidcall from my little sister and my cousins – same-generation kin-people – and they told me that cousin Wendy is getting married to her girlfriend Mila, isn’t that nice? So I’m really hoping I can make it to the wedding – that’s romantic lifebond ceremony – because otherwise they’d all be sad, they told me so. Do you have any family – lifemates or brood or other kin-people back in your home-system Zek?”

Parg Ship: “…Zek of Parg has brood of five. All Smallings, but soon Biglings. Soon.”

Human: “Oh! You must be so proud of them!”

Parg Ship: “… Yah. Good future replacements for Parent-bodies for Glory of Parg.”

Human: “And that’s all any of us could want! Imagine how sad our kin would be if either of us were to fail to make it back home! That’s why I want to help your ship Zek, in any way we can. The Fribling is only a small ship, but we have some surplus goods and skills to offer if you need anything from us.”

<long pause>

<No one on board the Fribling speaks, but Egrat has anxiously chewed their claws to the quick>

Parg Ship: “Have Lucrum cable? Parg Ship underengine in poor condition, jury-rig not hold, need hitch-tow to Dellar System.”

Human: “Oh, that’s only 8 parsecs away. Sure, hah, we can manage that. No problem.”

<78 minutes later, after the two ships have been attached via Lucrum cable>

Parg Ship: “…What kind you?”

Human: “Huh? ….oh, I’m a human. I’m from Sol 3, Earth.”

Parg Ship: “… Parg remember this. Parg remember Haley Makini. Parg remember Human.”

Human: <blinks> “…thank you!”

<communication connection closes from Parg end>

<Human sinks to ground, hand on chest, hyperventilating slightly>

Human: “HolyfuckhowdidIpullthatoffohholyfuck!”

Camilian: “Wait, you were scared too?”

Human: <glaring> “Cam, we’ve worked together how long? I’d have thought that by now you’d trust my threat assessment abilities. Phew! That one was so close I felt the breeze going past.”

Egrat: “…how. How did you just do that?”

Human: “It’s not hard.  Stay calm, just keep smiling, and build rapport by pretending to care about their problems, and meanwhile showing that you’re a real thinking being. Tends to defuse situations rather than escalate them.”

Egrat: “…I think I saw what you did, but where did you learn how to do that?”

Human: “5 years customer service experience.”

What sort of questions should I be asking my beta readers?

ambientwriting:

QUESTIONS TO ASK YOUR BETA READERS:

image

When I send out my chapter to be read over by my beta readers, I always include a set of questions typed out at the bottom, grouped into different categories such as: plot, pacing, character, setting, etc. 

You might want to tailor the questions depending on the genre or which chapter it is. For example, if it’s the first chapter you’ll want to ask them about how well your story managed to hook them, or if they managed to easily get an idea of the world you’ve introduced them to. If it’s the climax you might want to ask if the action scenes are fluid, and if the plot twist/s were predictable or surprising. 

Here’s some example questions that you could use:

Opening Chapter:

  • What is your first impression of the main character? Do you find them likable? Annoying? Boring?
  • After reading it for the first time, what is your first impression? Was it cohesive and compelling? Boring and confusing?
  • Did the first sentence/paragraph/page efficiently grab your attention and hook you in?
  • If you were to read this chapter in a bookstore/library would you be convinced to buy it? Or would you need to read further before deciding? Why or why not?
  • Did you get oriented fairly quickly at the beginning as to whose story it is, what’s going on, and where and when it’s taking place? If not, what were you confused about at the beginning?
  • Does the first chapter establish the main character efficiently? Do they feel believable?

Characters:

  • Could you clearly imagine what the characters looked like? If not, who?
  • Who was your favourite character and why? Has your favourite character changed? (if this hasn’t changed feel free to skip this question) 
  • Are there any characters that you do not like? Why do you not like them? (Boring, annoying, problematic, etc.) 
  • Was there ever a moment when you found yourself annoyed or frustrated by a character? 
  • Could you relate to the main character? Did you empathise with their motivation or find yourself indifferent? 
  • Were the characters goals/motivations clear and understandable? 
  • Did you get confused about who’s who? Are there too many characters to keep track of? Are any of the names or characters too similar?
  • Do the characters feel three-dimensional or like cardboard cutouts? 
  • How familiar have you become with the main characters? Without cheating could you name the four main characters? Can you remember their appearance? Can you remember their goal or motivation? 

Dialogue:

  • Did the dialogue seem natural to you?
  • Was there ever a moment where you didn’t know who was talking?

Setting/world-building:

  • Were you able to visualize where and when the story is taking place?
  • Is the setting realistic and believable? 
  • How well do you remember the setting? Without cheating, can you name four important settings?

Genre:

  • Did anything about the story seem cliche or tired to you? How so? 
  • Did anything you read (character, setting, etc.) remind you of any others works? (Books, movies, etc.) 

Plot/pacing/scenes:

  • Do you feel there were any unnecessary scenes/moments that deserved to be deleted or cut back?
  • Do the scenes flow naturally and comprehensively at an appropriate pace? Did you ever feel like they were jumping around the place? 
  • Was there ever a moment where you attention started to lag, or the chapter begun to drag? Particular paragraph numbers would be very helpful. 
  • Did you ever come across a sentence that took you out of the moment, or you had to reread to understand fully? 
  • Was the writing style fluid and easy to read? Stilted? Purple prose-y? Awkward?
  • Did you notice any discrepancies or inconsistencies in facts, places, character details, plot, etc.?

Additional questions:

  • What three things did you like? What three things did you not like? 
  • Can you try predicting any upcoming plot twists or outcomes? 
  • Was there ever a moment when your suspension of disbelief was tested? 
  • Is there anything you’d personally change about the story? 
  • Was the twist expected or surprising? Do you feel that the foreshadowing was almost nonexistent, or heavy handed? 

Feel free to tailor these to your needs or ignore some of them if you don’t think they’re useful. Basically, your questions are about finding out the information about how others perceive your own writing and how you can improve your story.

-Lana

Hello Mr gaiman. How old were you when you started writing stories ? I’m 14 and I try and try but they are all awful. I always give up in the middle and I can never finish what I wanted to write.

neil-gaiman:

I know. I found a pile of papers of mine from my teen years and into my early twenties recently, and there were so many stories begun, so many first pages of novels never written. I’d start them, and then I’d give up because they weren’t as brilliant as Ursula K Le Guin, or Roger Zelazny, or Samuel R Delany, and anyway I wasn’t actually sure what happened next.

I was around 22 when I started finishing things. They weren’t actually very good, and they all sounded like other people, but the finishing was the important bit. I kept going. A dozen stories and a book, and then I sold one (it wasn’t very good, and I had to cut it from 8,000 words to 4,000 to sell it, but I sold it). I probably wrote another half-dozen stories over the next year, and sold three. But now they were starting to sound like me. 

Think of it this way: if you wanted to become a juggler, or a painter, you wouldn’t start jugggling, drop something and give up because you couldn’t juggle broken bottles like Penn Jillette, or start a few paintings then give up because the thing in your head was better than what your hands were getting onto the paper. You carry on. You learn. You drop things. You learn about form and shape and shade and colour and how to draw hands without the fingers looking like noodles. You finish things, learn from what you got right and what you got wrong, and then you do the next thing.

And one day you realise you got good. It takes as long as it takes. So keep writing. And all you need to do right now is try to finish things.

catsandmadteaparties:

inkskinned:

a secret code between women: are you safe? in a contact of eyes. i’m here if you need me, the littlest shift of a skirt, of an inclined head, of watching the man who is asking you to smile, bitch. you aren’t alone on the walls of restrooms, i was where you are too. the quiet doling of emergency numbers, the shelters. the space between two women in a largely empty train station. the waiting game of two women strangers who walk, quietly and quickly, to their cars in abandoned parking lots, who watch to be sure the other leaves safely. text me you get home safe. the tally marks of drinks on hidden wrists, carefully disguised as other things ever since men picked up on what it meant and used it to target the “weakest link.” 

my father tells me we have nothing to worry about. last night he sent me one of those email chains that say at the top “Safety Tips For The Women In Your Life!!!! Don’t Let Her Die!!” 

me, and the stranger on the train. she is asleep and the man is asking me who i am going home to. i feel tears pricking the sides of my eyes. i am 13 while he towers over me. he reaches out one hand, and while i don’t know how she knows, she speaks up without opening her eyes: “If you touch my daughter, sir, I will murder you.” Whatever he grumbles is lost in history, because this moment I am so grateful for the existence of other people that I cannot breathe.

I am 19 and on my phone when i become aware of a 13 year old girl is smiling nervously at a man who’s saying disgusting things. I grab her arm. “There you are, cindy,” I say, and then look at the man like he is bile. “Do you need something from my sister?” i ask, and i walk away with her. she cries later.

this is the way of things: a silent, secret web. our promise to each other that despite our differences, when it comes to the wire, we become family, instantly. the unspoken promise. i’m here. i’m watching. i’ll witness.

This is beautiful. 

characterdesigninspiration:

Quite a few people requested some form of trait/personality generator, and here’s the result!  I wanted to keep it vague enough that the options could work for any universe, be it modern, fantasy, scifi, or anything else, so these are really just the basics. Remember that a character is much more than a list of traits, and this should only be used as a starting point– I tried to include a variety of things, but further development is definitely a must.

Could pair well with the gender and sexuality generator.

To Play: Click and drag each gif, or if that isn’t working/you’re on mobile, just take a screenshot of the whole thing (multiple screenshots may be required if you want more than one trait from each category).

flaminganakin:

the older I get, the less patience I have for the idea that a story is inherently complex or #deep because it has a bittersweet or tragic ending, or that people who like for things to end on a happy note are simple-minded weaklings who can’t handle harsh realities and mature storytelling. 

Look, shit is fucked. Life is a mess. Sometimes it’s a struggle to even come up with a reason to go on. I respect that media should be realistic and true to life, but fucking sue me, for once I just want to see the bad guys eat shit while the good guys ride off into the sunset and never have anything bad happen to them ever again. I don’t care if it’s unrealistic or implausible, that’s why it’s a fucking story. I have enough tragedy in my real life, thanks.